Frank showed a beautiful clip from Jane Campion’s film The Piano and referred to the relationship between clothes, the fold (Deleuze) / inside and outside. Here’s the essay I mentioned that elaborates on the relationship between clothes, women and sexuality in this film. Clothes play a significant role in the film and can be interpreted as a driver of meaning. See:
Bruzzi, Stella, ‘Jane Campion: costume drama and reclaiming women’s past’ In Cook, P. & Dodd, P. (1993) Women and Film : a ‘Sight and Sound’ reader, London: Scarlett, pp. 232-242
It’s available at LCC , CSM (Southampton Row) and Wimbledon libraries.
Posted by Caryn Simonson
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